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Pressure Points – Guide
Aug 28th, 2009 by Editor

In medium-range combatives, two opponents are already within touching
distance. The arsenal of possible body weapons includes short punches and
strikes with elbows, knees, and hands. Head butts are also effective; do not forget
them during medium-range combat. A soldier uses his peripheral vision to
evaluate the targets presented by the opponent and choose his target. He should
be aggressive and concentrate his attack on the opponent’s vital points to end the
fight as soon as possible.

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Martial Arts Physics Of Striking
Aug 28th, 2009 by Editor

In recent years, the ancient eastern art of Karate-Do (a Japanese word, literally
translated as “the way of the empty hand”) has become popular in the western world.
Karateka—practitioners of Karate—often break boards, cinderblocks, and other solid
materials in order to demonstrate the strength that their training develops. Much can
be said of the history and culture associated with the expansion of martial training, but
this essay—it is, after all, a physics paper—will examine the collision mechanics of a
hand strike to a solid target like a board.

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Hand-to-hand combat
Aug 28th, 2009 by Editor

Hand-to-hand combat is an engagement between two or more persons in an
empty-handed struggle or with handheld weapons such as knives, sticks, and
rifles with bayonets. These fighting arts are essential military skills. Projectile
weapons may be lost or broken, or they may fail to fire. When friendly and
enemy forces become so intermingled that firearms and grenades are not
practical, hand-to-hand combat skills become vital assets.

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Fighting Without Fighting
Aug 28th, 2009 by Editor

There was once a very famous Aikido player in Japan who spent
his whole life studying Usheba’s legendary art. Although he had
dedicated his whole existence to this beautiful art he had never
actually had occasion to test it in a real life situation against a
determined attacker, someone intent on hurting him. Being a
moralistic kind of person he realised that it would be very bad
karma to actually go out and pick a fight just to test his art so he
was forced to wait until a suitable occasion presented itself.
Naively, he longed for the day when he was attacked so that he
could prove to himself that Aikido was powerful outside of the
controlled walls of the dojo.

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