After the lapse of about half a century since the issue of the last
edition of _Dodsley’s Select Collection of Old Plays_,[1] and the
admittance of that work into the honourable rank of scarce and dear
books, it seemed a desirable thing to attempt, with such additional
improvements as might be practicable or expedient, a revival of a
publication which has been a favourite with the lovers of our early drama
since its first publication more than a hundred years ago.

CONTENTS

Preface
Interlude of the Four Elements
Calisto and Melibaea
Everyman: a Moral Play
Hickscorner
The Pardoner and the Friar
The World and the Child (Mundus and Infans)
God’s Promises
The Four P.P.
A New Interlude, called Thersites
Footnotes

Sku: oldplays01

It is impossible in the present day to attempt anything like a correct
list of the productions of Nash, many of which were unquestionably
printed without his name:[13] the titles of and quotations from a great
number may be found in the various bibliographical miscellanies, easily
accessible. When he began to write cannot be ascertained, but it was
most likely soon after his return from the Continent, and the dispute
between John Penry and the Bishops seems then to have engaged his
pen.[14] There is one considerable pamphlet by him, called “Christ’s
Tears over Jerusalem,” printed in 1593, which, like some of the tracts
by Greene, is of a repentant and religious character; and it has been
said that, though published with his name, it was not in fact his
production.

Sku: oldenglishplaysVIII

This play agrees perfectly with the description given of it in the
title; it is certainly a most pleasant conceited comedy, rich in humour,
and written altogether in a right merry vein. The humour is broad and
strongly marked, and at the same time of the most diverting kind; the
characters are excellent, and admirably discriminated; the comic parts
of the play are written with most exquisite drollery, and the serious
with great truth and feeling. Of the present piece there were seven
editions, within a short period, with all of which the present reprint
has been carefully collated, and is now, for the first time, divided
into acts and scenes.

CONTENTS

How a Man May Choose a Good Wife from a Bad
The Return from Parnassus
Wily Beguiled
Lingua
The Miseries of Enforced Marriage

Sku: oldenglishplaysIX

It appears from William Webbe’s Epistle prefixed to this piece, that
after its first exhibition it was laid aside, and at some distance of
time was new-written by R. Wilmot. The reader, therefore, may not be
displeased with a specimen of it in its original dress. It is here given
from the fragment of an ancient MS. taken out of a chest of papers
formerly belonging to Mr Powell, father-in-law to the author of
“Paradise Lost,” at Forest Hill, about four miles from Oxford, where in
all probability some curiosities of the same kind may remain, the
contents of these chests (for I think there are more than one) having
never yet been properly examined. The following extract is from the
conclusion of the piece.–_Reed_. [Reed’s extract has been collated with
the two MSS.

Sku: oldenglishplaysVII

There are two distinct plots in the present play. The one relates to the
murder of Robert Beech, a chandler of Thames Street, and his boy, by a
tavern-keeper named Thomas Merry; and the other is founded on a story
which bears some resemblance to the well-known ballad of _The Babes in
the Wood_. I have not been able to discover the source from which the
playwright drew his account of the Thames Street murder. Holinshed and
Stow are silent; and I have consulted without avail Antony Munday’s
“View of Sundry Examples,” 1580, and “Sundry strange and inhumaine
Murthers lately committed,” 1591 (an excessively rare, if not unique,
tract preserved at Lambeth). Yet the murder must have created some stir
and was not lightly forgotten.

CONTENTS
Preface
Two Tragedies in One. By Robert Yarington
The Captives, or the Lost Recovered. By Thomas Heywood
The Costlie Whore.
Everie Woman in her Humor.
Appendix
Index
Footnotes

Sku: oldenglishplaysIV

This clever, though somewhat tedious, comedy was published anonymously
in 1606. There is no known dramatic writer of that date to whom it could
be assigned with any great degree of probability. The comic portion
shows clearly the influence of Ben Jonson, and there is much to remind
one of Lyly’s court-comedies. In the serious scenes the philosophising
and moralising, at one time expressed in language of inarticulate
obscurity and at another attaining clear and dignified utterance,
suggest a study of Chapman. The unknown writer might have taken as his
motto a passage in the dedication of Ovid’s _Banquet of Sense_:–
“Obscurity in affection of words and indigested conceits is pedantical
and childish; but where it shroudeth itself in the heart of his subject,
uttered with fitness of figure and expressive epithets, with that
darkness will I still labour to be shrouded.” Chapman’s _Gentleman
Usher_ was published in the same year as _Sir Gyles Goosecappe_; and I
venture to think that in a passage of Act III., Scene II., our author
had in his mind the exquisite scene between the wounded Strozza and his
wife Cynanche.

CONTENTS
Preface
Sir Gyles Goosecappe
The Wisdome of Dr. Dodypoll
The Distracted Emperor
The Tryall of Chevalry
Footnotes

Sku: oldenglishplaysIII

The play of _Dick of Devonshire_, now first printed (from Eg. MS.,
1994[1]), is distinctly a well-written piece, the work of a practised
hand. There is nothing amateurish in the workmanship; the reader is not
doomed to soar into extravagances at one moment, and sink into
flatnesses at another. Ample opportunities were offered for displays of
boisterous riot, but the playwright’s even-balanced mind was not to be
disturbed. Everywhere there are traces of studious care; and we may be
sure that a style at once so equable and strong was not attained without
a long apprenticeship. Nor will the reader fail to note the lesson of
charitableness and Christian forbearance constantly, yet unobtrusively,
inculcated.

CONTENTS
Preface
Dick of Devonshire
The Lady Mother
The Tragedy of Sir John Van Olden Barnavelt
Captain Underwit
Appendix I.
Appendix II.
Footnotes.

Sku: oldenglishplaysII